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| Wash (2005) |
James Armstrong Theater Lobby (site-specific), Torrance, CA - 20 minutes |
5 performers
music: Sergio Cervetti
video: Jerome Thomas
A look at hard hard working Americans in a multi-cultural society. |
| Audacious (2005) |
Highways Performance, Space Santa Monica, CA - 40 minutes |
5 performers
music: Sergio Cervetti
video: Jerome Thomas
costumes: Claire Townsend |
Based on interviews with scholars, clergy and people on the street, the work examines the concept of hope in our contemporary conflicted world.
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| Personal (2004) |
Highways Performance, Space Santa Monica, CA - 45 minutes |
4 performers
music: Klucevsek, Galas, Monk, Reich, Cage/Tudor, Partch |
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| Mavericks (2001) |
Sushi Performance and Visual Art, San Diego, CA - 60 minutes |
5 dancers, 3-13 community surfers
music: Alan Terricciano. Jon Szanto, Traditional Tibetan chant, Kahauano
Lake Trio, Handel, Brian Wilson |
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| White Guy Swell Dance for Duke (2000) |
California Choreographers Dance Festival, Laguna Beach, CA - 8 minutes |
1 dancer
music: Traditional Tibetan chant |
| Surfing’s shapes and forms are magically transformed by the dancer, a
folding chair and Tibetan chanting. |
| Test (1995) |
University of California, Irvine 10 minutes |
1 dancer
music: Brahms A German Requiem, first movement |
| Serving as a metaphor for contemporary urban life, the work makes
reference to religious iconography, to homelessness and to immediate
and ongoing challenges to survival. |
| Slip Knot (1994) |
Dance Theater Workshop, New York, NY - 10 minutes |
2 dancers
music: from Norma by Bellini |
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| Bout (1991) |
Cunningham Studio, New York, NY - 12 minutes |
2 dancers
music: Bach Cello Suite |
| A choreographic blend of dancing, testosterone and beer highlighted
by familiar characters in comic situations. |
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